Links to Published poems:

Bee Charmer, Batch 057: 9/28/23, from The Closed Eye Open (2023).

Bee Keeps, Batch 057: 9/28/23, from The Closed Eye Open (2023).

The Spendid Limitations of Being…, from Inverted Syntax, Issue 4 (2022). May be purchased here:

Scar let   Woe man, a chapbook from Tammy (2016).

Dress Forms, a chapbook from dancing girl press (2016).

“Bunny-Hole” from the Antioch Review, Winter 2010.

“Holy Child Sonnet” in 1913: A Journal of Forms #3.

“Be-Hold, Be-Head” in Tidal Basin Review (Summer 2010)

“pot with lid as lid of pot” in Umbrella, Spring 2000.

Cirque, Vol. 1 Issue 2: “Salmon Queen”

Woman Made Gallery: Her Mark 2010 datebook. “Balm 23”

“Latter Rain” and “Happy Hour At The Sagebrush Cantina” in the Mojave River Review, Summer 2014 issue (p. 182ff).

“When I Consider How My Light Was Spent #2” in the Star 82 Review, with art by Shane Guffogg.

“Make-Believe Resume” and “–Strung–” from the Jung Journal: Culture and Psyche

“Lacklustrous” and “To The Anglo-Saxon Insult” in Cordite Poetry Review 49: Obsolete (2014).

“Id entity” in the “Restless” e-zine, by Wild Age Press.

Honorable Mention for 3 poems in The Feminist Wire’s first annual Poetry Contest, judged by Evie Shockley.         

Five poems from “Bee-Lines” manuscript. Lime Hawk, Spring 2015.

“K ill ing  Me   Wit h  His  Son g”   and   “My  Tex ts,  L Ike  Ghostly  Ex es” in Sprung Formal, Spring 2015, pages 13-14.

“Downward-Facing Lotus” and “Graft” from the Petals in the Pan Anthology, A.J. Huffman & April Salzano, eds.

Mark-Making in Pioneertown Lit, Nov. 2015, with painting by Shane Guffogg. 

Elucidary in Small Po[r]tions Journal, Oct. 2015, with painting by Shane Guffogg.

Hymneveningsung, Tinderbox poetry journal, Volume 4, Issue 2. 

Book Chapters

“Xenotropism: Expatriatism in Theories of Depth Psychology and Artistic Vocation” in:    The Concept of the Foreign: An Interdisciplinary Dialogue, edited by Rebecca Saunders.

“Mythotropism: A Psychology of Writing (to) Myth” (pp. 14-24).  Women Versed in Myth, edited by Colleen S. Harris and Valerie Estelle Frankel, 2016.